When I asked for recommendations on speculative authors who were not cis-gendered white men (for now and forever referred to as CGWM), I received several recommendations for N.K. Jemisin. Funnily enough, at the same time people were recommending her to me, my husband was at Powells buying me her novel The Hundred Thousand Kingdoms.
It wasn’t the novel of hers I’d planned on starting with, but I’m glad to have gotten it as it was a lot of fun. I wasn’t sure as I started it whether I could get behind the voice, but it quickly became clear that the memory issues of the protagonist and the slightly stilted and disjointed storytelling had a definite purpose and it won out in the end. This novel is a story about a young woman who is brought back into the fold of her royal family after her mother’s death and who struggles to understand her family and personal history while politicians and gods alike try and use her for their own ends.
It is a fabulous story, with some excellent writing, and I am not surprised she has been in the running for several major awards; they are all well deserved. This story is at times poignant and sweet, and bloody and chaotic, and even a little bit (more than a little in one instance) sexy. If you like stories with strong female protagonists who take no nonsense and make their own space in their world, this is definitely a book for you. I highly recommend giving this a read.
One note on something I’ve noticed as I dive into this reading pattern: The female protagonists are all beautifully strong, but they also face cultural issues that I just don’t see protagonists of male authors facing: realistic subjugation due to sex through micro aggression. It is shockingly realistic in the books I’ve read by female authors thus far, and I never realized it was something that was missing until I finally read it. There is something just so much more real about their struggle to me than most of the speculative fiction I have read before, and it makes the endings of the books just that much more satisfying for me when the ladies come out on top.